Sunday, October 9, 2011

Homecoming Dress

You may be wondering what I have been up to lately; it has been SO long since my last post.  The answer is A LOT (and we'll get to that in a later post, I promise!), but one of the major things very recently was making a dress for my youngest daughter Megan to wear to Homecoming.  Now I may quilt, thread paint, and play with fiber art very comfortably... but I am not a garment sewer!  I of course sewed simple things for my girls when they were little, along with the usual home crafty stuff, muslin bunnies, etc. However, anytime I tried to sew for myself, I was totally lost and nothing fit.  This is something I have decided to learn 'for real' by signing up for an online course and buying the book.  Don't ask me why I agreed to take this challenge of formal dressmaking on, especially for a special event that my daughter would be counting on me to produce something for her to wear with pride.  Not to mention the fact that she designed her dress herself, on a sketch pad, and wanted me to produce what she had envisioned! 

With a promise from her to keep an open mind and compromise just a bit in design and fabric choices and with a budget of $60.00, we headed off to the fabric store feeling much like the designers on Project Runway.  Amazingly we found a pattern that was fairly similar to her design, and even better it was 'Easy' and on sale for 1.99!  Originally envisioning a white with blue dot underskirt, she agreed that rather than searching high and low for the perfect fabric, the sheer white with sparkles fabric would work.  We found the perfect navy blue satin, white tulle and lining, and a bright pink for a bow.  Plus, we had about 23.00 left in change!

By combining the two skirt styles on the dress, making a muslin and drawing on the over skirt where the split needed to be, I was able to get pretty darn close to what she had designed.  Then, because Megan is very tiny, we had to fit the bodice quite a bit.  This, I think, was the hardest part for me because I am still learning how all of these go together.  When you adjust the size on all these odd shaped little pieces, they do NOT line up anymore!  Eventually it all came together and Megan was thrilled with her new dress! 

We added heat set crystals to the top of the bodice, which did not really photograph well here but added just a touch of bling.  About an hour before she had to be at the restaurant to meet up with her friends, I discovered she did not have shoes after all (I had thought she was going to wear some flats she already had) and we had to run out to find a pair.  We ended up finding a cute little pair of slingbacks in white (one of those dye-able shoes they make for special occasions) that were on clearance for $15.00!  It was also BOGO (buy one get one half off) so we found a little silver purse for 10.99 and got it for 5.49!  I love a good sale!
I wish I had a good picture of Megan in her dress to show you all, but by the time we were taking them it was so dark that nothing really turned out well.  This was the best one I got.  She was hunched over because it was cold out as she paused so I could snap the pic before running inside, so it looks like it doesn't fit well.
Her friends were all amazed that her mom made this dress that she designed.  I am amazed I made this dress that she designed!!  I am also amazed that my youngest is somehow old enough to be in high school and attending Homecoming!

Monday, April 4, 2011

deColourant and deColourant Plus!

Fun New Product!  deColourant and deColourant Plus!

I was able to see a demonstration of this great new product and was totally blown away.  Discharging is something I have played with a few times, but because of the strong fumes and mess of bleach or the unreliable results of other discharge products I haven't really done a lot with it.  However, this new product has really impressed me for several reasons, not the least of which is the fact that it has little to no fumes.

First of all there are two types of product: deColourant and deColourant Plus.  The deColourant is just that, only the deColourant product that takes color out of any natural fiber (cotton, silk, etc. no synthetics).  It comes in two forms: a creme that is painted on and also a spray on.  The spray is fun for creating background effects, and also for soft speckled effect with stencils.

Then there is deColourant Plus.  This is the deColourant creme with a pigment and binder added in.  It essentially take the color out of the fabric and replaces it with a new color.  Amazing!  Note that this also comes in spray form, but my distributor is not carrying it at this point so I haven't gotten my grubby paint stained paws onto any... YET.

I was a bit skeptical at first, but after watching the demonstration and then playing with the product myself I am very excited at the possibilities. 

Play Day!

First Up: deColourant Creme!

I wanted to see what the results would be on the ultimate test fabric: Black. The first piece I did turned out pretty well considering I hadn't washed the fabric first.  I used a stencil from Cedar Canyon Designs to make the leaf shapes, then used my sponge brush to add patterning to the background.  The trick with this product is to LET IT DRY before you heat set it.  Now if you are like me and very impatient to get on with it, you can use a heat gun or even a plain ol hair dryer to dry the product.  Once it is totally dry, use a dry iron over the product.  I was amazed!  This photo shows the piece after it was heat set and after I hand washed it to see if anything came out.

When I realized I was using fabric that hadn't been washed, (big sigh, I know better) I took some pieces and washed them.  *Remember* when you wash fabric to paint on, never use anything with fragrance, softeners, or any other additives and don't use dryer sheets.  This will all interfere with any product you try to put on your fabric.  My results were much better with the washed fabric.  Remember, both pieces are the same fabric and only the deColourant creme with no pigment.  Notice how in the photo above the result still has some color in it, while the sample below with the washed fabric gave me much better results.  I have also hand washed this piece after heat setting to compare the results.

Next Up: deColourant Plus!

One of the things I was told during the demonstration was that hand dyed fabrics worked very well for this process.  Since I have a TON of my own hand dyed fabric laying around I decided to give it a go.  This is another stencil I carry from Delta, can you tell I love leaves?  I settled on a nice green fabric and used Red, Yellow, and Orange with a simple foam brush.  In the photo below you can see two leaves are finished and the one on the lower right is not yet heat set.  After drying the leaf it is dull and looks like I just used a regular fabric paint on the fabric.

Here I ironed most of the leaf so you could begin to see the difference.  See how the color is coming up on the upper right and middle of the leaf, replacing the green in the fabric!  The left and lower ends of the leaf are not yet heat set and so not quite as vibrant.

After the deColourant and deColourant Plus is heat set, it can be washed and dried like a normal fabric.  Make sure you really heat set it a good five minutes on all painted sections (move your iron around and you wont scorch the fabric) so that nothing washes out.  Once washed, there is barely any feel to the painted sections depending upon how much paint you used.

I can't wait to play more with this fun new product, deColourant and deColourant Plus!

Thursday, February 24, 2011

How To Series 1: Thread Painting 101 - Review and Wrap Up

What an exciting adventure this has been!  I have had so much fun sharing with all of you, and reading the feedback from emails and comments sent.  This has hopefully given you the tools needed to begin your own Thread Painting journey.  My hope is that by taking things one baby step at a time, Thread Painting would be less of a scary mystery that only 'advanced sewers' can do, and more of a fun learning experience that anyone can participate in and grow from. 

This has been a learning experience for me as well!  In the past I have had a blog and posted to it maybe twice a year... maybe.  Blogs have come a long way since then and when I started this one I had to essentially re-learn it all.  I am glad I did though, this has really been a rewarding experience for me!

Combining Stitches

Before we end this series, I wanted to show you some examples of combining the stitches we have learned.  While many of the pieces I have done use only one type of stitch, Thread Painting is extremely effective when the different stitch techniques are combined.

In the Hummingbird and Fuchsias quilt, the leaves and parts of the flowers use a directional zigzag stitch, while other parts of the flower and the buds use a directional straight stitch in order to emphasize the shape.

The Sunflowers detail shown below uses a combination of the directional straight stitch, directional zigzag, and zigzag meander on the petals, as well as zigzag meander and straight stitch detailing on the leaves.

In this detail shot of a vest I made years ago, the pansy flowers use both the meander zigzag and the directional zigzag stitching.  Notice the leaves use the directional zigzag to applique them, giving them a more feathery look.

And finally, this Lily was done using fabric paint and then Thread Painted.  A directional straight stitch and a directional zigzag were used.  The stamen details were also added using a very dense directional zigzag stitch.

Calling for Your Input

Have you been practicing your Thread Painting?  I'd love to see what you've been working on and I am sure everyone else would too!  If you have played with the Thread Painting techniques on a project or practice piece, I'd like to post some photos right here on the blog.  So finish up those projects, or even a Work In Progress  and send a .jpg file along with what you used and where and we will get it up on the blog.  Do you have questions or need advice or clarification on something?  Send those too and I will try to answer as best as possible.  Pictures are worth a thousand words, so try to send a picture ( in a .jpg format please) along with your questions, comments, or success stories. How to get in touch with me?  Click here to Email me.

Whats next??

That is my question...  I plan on sharing what I am doing in the studio, whether it is a pattern or project in progress (I have several of those going!) or just Fun Stuff that I come across or am playing with or learn about.  But what I'd like to know is what do you want to see?  Let me know!

A Great Big Thank You!

I want to tell you all Thank You for all the support, the encouraging words, for sharing the link here and for just plain reading and learning from this series.  I can't tell you how much fun I have had interacting with all of you!

Angela R McIntyre
Laughing Cat Designs

Thursday, February 17, 2011

How To Series 1: Thread Painting 101 - Directional Straight Stitch

We have learned about the proper tools and correct supplies, how to Thread Paint using a basic meander zigzag, add detail with a basic straight stitch, and last week we learned how to expand on the zigzag stitch by using it directionally.  However, there are times when a piece needs to be thread painted, but the zigzag stitches just don't fit in with the feel of the piece and it needs a bit more than detail work.

Directional Straight Stitch

I call this a directional stitch because it uses a very purposeful direction in the stitch in order to get the look we are after.  With this stitch we can accomplish both painting with thread to apply the colors we want, and control the shape and add motion to the piece.  As with the detail lines, we use our 'S' curves rather than a straight line.  By adding many more lines of stitching we build up the thread painting adding color just as we did with the zigzag stitching.  Remember that these lines are not always an S but they always have at least a bit of a curve in them.  This will help to shape our pieces and give them a more natural appearance.  

Straight Stitch Thread Painting 

In some cases, we don't really want to build color up from shadows as we have in the past, but just to add color to liven up a piece.  In the sample below, the color additions liven up the foliage. Most of the time we backtrack along the stitch line and then branch off for more stitch lines. I can also carefully travel a few stitches along a seam line or the base of the applique piece to the next position, and then continue Thread Painting.  Another method, especially useful when many lines of stitching are on a piece, is to not quite follow all the way along your stitch line when backtracking and end up an eighth to a quarter of an inch away from your start point.  These techniques allow you to travel along an applique piece without it being too noticeable.

Adding Motion

By adding long lines of thread painted color, we also add motion to our pieces. In the case of the Flower Bowl below, we have room to add long curvy lines to give the effect of a flower petal that has curve and flow.  Notice some of the darker contrasting thread colors that emphasize these curving lines.

Building Color

Our colors are built using the same methods as before, we are just using the straight stitch.  Add your cool tones and shadows first, working your way up through mid tones, and then lights and highlights.

Homework: Play with this expanded version of the straight stitch and practice building color and thread up.  Remember to practice traveling and the S curve.

Next week - Final Installment

Examples of combining stitches, and a review of what we have learned in this series.

Friday, February 11, 2011

How To Series 1: Thread Painting 101 - Directional Zigzag

The key to successful Thread Painting is Practice, Practice, Practice!  Have you been practicing your Thread Painting?  Now that we have the basics covered, it is time to expand on the stitches we have covered.  In the first Thread Painting stitch, zigzag meander, we used a zigzag stitch to apply thread color to where we wanted it.  With this new stitch we will be a bit more deliberate about where we apply our color.  In the quilt below, Hummingbirds and Fuchsias, much of the Thread Painting done on the applique pieces was a directional zigzag stitch.

Hummingbirds and Fuchsias

Directional Zigzag

The reason I call this a 'directional' stitch is because we are not just meandering but rather stitching in a specific direction to get a specific result.  The stitch is done by setting your machine to a medium width zigzag, feed dogs lowered of course, and stitching from side to side.  No moving all around, we always move side to side with only a very slight forward or backward motion in order to stitch the areas we need to cover. 

This stitching can be done very lightly for touches of color, on up to very heavily stitched pieces that look almost machine embroidered.  This is in fact the stitch we use for Free Motion Embroidery.  When we stitch heavier we need a bit of extra stabilizer, as this stitch tends to pucker a bit more than the meander or simple straight stitch detailing.  On the 'Hummingbirds and Fuchsias' quilt above, I used two layers of Stitch n Tear, and left the stabilizer under my applique pieces while I Thread Painted.  Once I was done I removed it from around the pieces, and ironed with steam using a pressing cloth.


Lets practice the stitch.  Layer a practice piece of fabric onto a stabilizer.  You can use two layers of stitch n tear or a piece of the Decor Bond.  Since we are just practicing, it is nice to have the extra stabilization to make it easier to stitch.  This can always be adjusted depending on the project you are working on.

Place your hands on either side of the fabric and begin stitching.  Slowly move side to side, a few inches at a time.  Try a a bit of a meander in your side to side stitching by moving slightly forward and backwards and back and forth as you create a line of side to side stitching.  Play with the stitch, moving slower while your machine stitches faster, and then switch to moving a bit faster with a slower stitch speed.  Pay attention to your results. Now cover a smaller area, concentrating on building color.  Alternate the length of your side to side stitch; this will be essential to blending and a more natural look. 

Rotating and Pivoting

Sometimes we need to rotate or pivot when we apply color with the directional zigzag.   This is done by always returning to our 'center point' before pivoting to a new direction.  In the Pansy below, the center point of the flower pieces is at the base of each petal.  Along the leaves the center is the vein line.

Building Color

Now that you have the feel of the stitch, lets Thread Paint a basic leaf shape using the Directional Zigzag stitch.  As with the basic Meander Zigzag, we stitch our colors in order starting with shadow and cool tones, then the mid range colors, and finally highlights and warmth.  Each of these can have as many colors as it takes to get the effect desired.  There are always exceptions to the 'rules' however.  In the Pansy above I was concentrating more on adding color to the flower than adding the basic shadow/mid range/highlight.  Those basics are in there, but in order to get the coloration I wanted I 'broke the rules' so to speak.

To keep this simple we will use just three colors.  One shadow, one mid range, and one highlight.  Remember that these three basic colors can also be variegated.  This will give the look of having added much more thread color than we actually did!  I chose a very muted green fabric so that you could see the thread work a bit easier as well.

Start Stitching

Machine applique a basic leaf shape to a background fabric, using two layers of stitch n tear or a piece of decor bond as your stabilizer.  Try to make a slightly larger leaf, so that you have room to actually practice.  On the leaf, trace a line for the center vein using a chalk marking pencil.  Now mark directional lines as shown.  These lines will give you a guide as you begin stitching so that you will know both where to stitch and what direction.


Begin stitching along one side of the vein with your cool color.  On my leaf I am using my favorite muted dusty purple to add cool.  Stitch side to side, always stopping along the center vein line but varying the length of the stitch line on the other side.  Pivot as needed along the vein line to keep your stitching fairly parallel to your guide lines.


Now switch to a medium tone, I used a nice green that went well with my leaf color.  Stitch around the cool tone on the one side, carefully pivoting at the tip of the leaf, and then stitch along the vein line down the other side.  Remember to blend into the shadow/cool area.


For my highlight color I am using a warm variegated yellows/oranges thread. This will do two things, it adds warmth and highlight at the same time, and it will help you to see the difference in the stitching for our example photo.  Stitch along the edges of the leaf as shown, and then add just a bit to the middle of the mid range area.  This creates kind of a visual 'bend' in the leaf by bringing that portion a bit more forward.

I use this same basic method for the flowers and birds in the Hummingbirds and Fuchsias quilt, and for the pansy applique.  In the photo below, the Leaf Bowls used the directional zigzag stitch over the entire leaf and many more colors are used.  You can see how building up your colors really makes a difference in the overall look of the finished piece. *Note - the Leaf Bowls (and the Flower Bowls) use a much heavier stabilizer called Fast2Fuse Heavyweight in order to give them the heft they need to become 'bowls'.

Homework:  Practice, Practice, Practice!  Play with different shapes, leaves and flowers and such, and use the Directional Zigzag stitch.  Build multiple colors up to achieve a painterly effect.  And absolutely have FUN with it!

Next Week:  Straight Stitch II - Thread Painting with a straight stitch.

Revisit this basic technique and play with more directional stitching in Straight Stitch Thread Painting.  Achieve a completely different look to your thread painted pieces.  Oh the things you can do with a straight stitch!

Thursday, February 3, 2011

How To Series 1: Thread Painting 101 - Basic Straight Stitch

Last week we learned how to implement a basic Thread Painting stitch with the Zigzag Meander.  I hope you did your homework and played with the different color threads and how the meander stitches out on the zigzag setting.  For me, threads are the addictive part, there are so many colors, so many possibilities!

Now that you have the feel of this basic Thread Painting stitch, we can add to it.  Lets look at our leaf from last week.  There seems to be something missing, doesn't there?  Our leaf needs a bit of detailing to bring it to life; we need to add vein lines!

Directional Thread Painting: Basic Straight Stitch

While the name is a bit misleading, the basic straight stitch used as a thread painting stitch can add quite a bit of detail to our work.  As the leaf above stands now, we have basically added color, but not yet created a stunning fall leaf.  Using this leaf as an example, adding vein line details we effectively pulling together all the thread painting we have done and making it not the focus, but rather a part of the whole piece.

Straight Line vs. S curve

When we add our detail lines, in most cases we use an 'S' curve, rather than a nice straight line.  Especially when mimicking nature. Now this is a guide, rather than a rule.  In some cases a highly stylized design may call for straight lines.  For what we are doing however, a nice natural S curve will give us the effect we are after.  Shown below is a diagram of our leaf using straight lines to add the veins.  See how unnatural they look even on our stylized simple leaf shape.

Now see how adding a curve to our line detail gives our leaf a more natural appearance.

These lines do more than just add detail, they also help to give the leaf shape and movement.  Especially when added to a Thread Painted leaf that uses shading and highlighting to add dimension. 

Here we have examples of using an S curve on the Flower Bowl.  The soft S curves in the line detail help to add shape and movement to the flower petals, bringing them to life.

This bowl was thread painted entirely using the straight stitch.  It uses the same method as for the meander stitch (shading, mid tones, color pop, highlights) and really shows what a simple straight stitch can do.

In this detail shot of the Sunflowers sample, the leaf was thread painted with the meander stitch using shading, mid tones, and highlights plus a metallic and then veining detail was stitched. 

The 'S' Curve

Not always an S but always curvy, sometimes we have to change up the look of our lines so they wont all start to look the same.  Reversing the S, adding more or fewer curves, and accentuating or lessening the curves in this S shape will help you to blend and shape.  Practice making S curves and variations on a sample piece of fabric backed with stabilizer.  Just Play.


Lets add that veining detail to our leaf.  Just like in free motion quilting, we sometimes have to backtrack along our stitch line in order to add another line.  Instead of stopping and starting again, we create our initial line and then reverse and stitch back along that same line until we are at the point where we want to add another line.  Note that we are not using our back-stitch or reverse button!  Simply stopping, pausing, then stitching back along the line you just stitched.  Go slow and careful until you are familiar with the feel of the stitch.  Then if you like, you can try speeding up a bit to a comfortable speed.

To begin we will do a very basic veining detail. Notice that I have turned the leaf upside down in relation to how it faces me.  I like to see where I am going first, then I can backtrack much easier.  It is a visual thing for me. 

Stitch the main vein line down the leaf, remembering to use your S curve, and stop at the top of the leaf.

 Backtrack just a bit, and stop.

Now begin smaller secondary veins, stopping at the ends and backtracking to the main vein line. It doesn't have to be perfect. Repeat this all the way down the vein, continuing to backtrack down to the next point at which you want to add a secondary vein.

Continue in this manner until all your secondary veins are stitch, ending at the base of the leaf.  Lock your stitch and trim any tails.  Now that you have learned the basic method of adding these veins, take things a step further and add more veins off your secondary veins, and so on.

 Using a bolder or stronger color will help your detail work stand out more.  Variegated threads add even more color, and metallic threads will give it a touch of glitz.

Homework: Practice the basic S curve, adding in variations in size, curves, etc.  Also practice backtracking along the stitch line to create veins or secondary stitch lines.

Next Week:  Directional Zigzag Stitching

Learn another technique using the zigzag stitch for more texture and even more dimension to your applique pieces.

Thursday, January 27, 2011

Ho To Series 1: Thread Painting 101 - The Basic Stitch

The Beginning...

My adventure in Thread Painting started with some machine applique leaves.  I had been working on a fall leaf wall quilt, when I realized my leaves looked nothing like the gorgeous full of color leaves outside my window.  My kids were bringing me fallen leaves to trace and to match fabric.  They were younger at the time, and before long I had a giant pile of leaves on my table!  I began to realize that none of my fabric could compete with the real thing, and that to get those colors onto my leaves I would have to use the decorative threads.  With some trial and error, and experimentation with different combination's, I finally had it: Thread Painting.

This is a much later version of those leaves with the basic thread painting stitch, but the technique is the same.  The main difference is I am using better threads on both the top and bottom.  You can also see that I have added embellishments to the leaves.  By using this basic stitch on my leaves, I was able to transform a 'nice' applique into something 'WOW'.  My entire focus on quilting and threads changed in that week of experimentation and I have never looked back!

The Basic Thread Painting Stitch: Zigzag Meander

The basic Thread Painting stitch is really just a simple free motion zigzag.  Our goal is to add color where we want it and by using a zigzag stitch we can achieve a painterly effect with our threads without much fuss.  I use this stitch to add color, but also to shade and highlight. 

Machine Settings

Before we start Thread Painting, we first need to set our machine up right. Lower your feed dogs, attach your free motion embroidery foot, and insert an Embroidery or Topstitch needle.  You should have bobbin thread in the bobbin, and a decorative embroidery thread in the needle. Check your machine's tension; every machine is different so we will start with the basic mid-range setting for your top tension.  We will adjust this as needed once we start sewing. 

If you can, adjust your presser foot pressure to zero or as high as it will go.  This will help prevent any drag with the foot, allowing you to stitch with ease. 

Set your machine to a medium width zigzag (on my machine this is about a 3 wide setting) and because we are free motion stitching our stitch length will not matter.  A mid range width on our zigzag is a good place to start.  This can be adjusted depending on what you are working on, but for most things and to start out this is a good setting.

Before you start - close your eyes, take a deep calming breath, roll your sholders forwards and backwards and release all your tension.  Relax. Open your eyes; you are now ready to begin.

Begin to Stitch

To start, lets use a practice piece of fabric with a tear away stabilizer in back.  You don't have to bother with an applique piece unless you really want to.  We really just want to get the feel for the stitch.  Place your hands on either side of your fabric. (*tip: use only your fingertips to move the fabric around. Your fingers have finer motor control than your entire hand and arm)  Begin to stitch slowly, moving the fabric slowly and smoothly under the needle.  Don't worry about what it looks like at this point.  For the moment we are just getting used to the feel.  Move the fabric forwards, backwards, side to side, all around in a meander.  If you feel comfortable, increase the speed of your machine and continue to move the fabric smoothly and slowly under the needle.  It is important to not jerk the fabric around under the needle.  These too quick movements will lead to broken needles.  Relax, remember to breath and blink.  (This is something I do and always have to remind myself: Breath! Blink!) 

Pay attention to your Tension.  Ideally we want only our embroidery thread to show on the top.  This means that on the back of your piece you will see bobbin thread AND embroidery thread.  The top thread will pull to the back, and that is OK.  If you see bobbin thread on the top of your piece, you need to lower your tensions.  The smaller the number on your tension dial or display, the lower the tension.  Lessening top tension will allow the thread to pull more to the back.  *In some of the Bernina machines, there is a special hole in the bobbin hook for the bobbin thread to go through, increasing  your bobbin tension for free motion work.  In order for any thread painting to work in these machines, this needs to be threaded correctly. 

notice the bits of colorful embroidery thread on the back

Now that we have adjusted our tensions and gotten the feel of the stitch, lets look at our results.  When we move forward and backward our stitch looks rather like this:

Forward and backward                                  produces a zigzag stitch
In this diagram, the straight lines represent the direction of the stitch with the resulting stitch shown next.  Once in a great while I use this forward/backward motion, but for the most part I don't want it to LOOK like a zigzag stitch.  What we really want is a nice meander, which 'confuses' the real stitch pattern and simply applies color in many stitches of thread.  This meander or stipple stitch looks something like this:

meander motion                                     meander thread painting
When applied to an applique, the results are much more apparent.

meander motion results
forward/backward motion results

Multiple colors can be layered to create shadow and depth, color pop, and highlights.  Start with your shadows and dark colors, working your way up to highlights.

solid threads
Using variegated threads can add quite a lot of color pop.  I love to use these threads to add multiple color hues at once, to blend and transition colors, and sometimes to add that bit of zing to a piece.  They tend to blend themselves into a piece better, without being extremely stark.  Play with the different variegated threads, their results will surprise you.

variegated threads
Rarely do I use only one or the other type of thread.  The best results are obtained by using a combination of both.

Homework: Practice, Practice, Practice!   Play and have fun with this basic Thread Painting stitch.  Experiment with the meander stitch motion, different threads and colors, and blending.  If you want to practice on the leaf shown in this tutorial, I have created a small PDF file for you to download.  It has some very basic instructions for fusible and machine applique. 

Next Week: Directional Thread Painting - Straight Stitch

Directional Thread Painting means we will stitch in specific directions to get a specific look.  This can be done with both a straight stitch and a zigzag stitch.  To get a feel for the directional stitch we will start with the Straight stitch.  You'll be amazed at what you can do with a straight stitch!  See you next week!